ANNA E. ORBOVICH                                     PRINT / SCULPTURE / INSTALLATION / ARTIST’S BOOKS & ZINES / INFO
 









PRINT
2016 - 2018
  










from WHERE THERE USED TO BE A FLOCK OF BRIGHT YELLOW K2 TENTS NOW LIE PILES OF ROCKS STACKED LIKE CAIRNS
2019

drifting by.
etching with spit bite aquatint, 24” x 36”

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Mapping Rust
Pen, iron, rust on matte duralar, 20” x 25” each


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Topography of Debris
screen print, iron, rust, coke, and snowmelt on matte duralar, 25” x 20” each



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STUDIES OF PLACE
2018
etchings with aquatint and spit-bite on revere suede warm white paper
12” x 12” each



1. topo. 2. location a. 3. location b1. 4. location b2. 5. location c. 6. diagram. 7. location d.



...



WILDNESS HAZE
2016 - 2017
 


1. exploration in Scale 1. etching with aquatint, monotype and graphite transfer. 9” x 9” 2. exploration in Scale 2. etching with aquatint, monotype and graphite transfer. 9” x 9” 3. pines line the shore. etching with aquatint. 24” x 18” 4. wildness haze III. etching with aquatint, spit-bite and a lá poupeé. 18” x 24” 5. wildness haze II. etching with aquatint, spit-bite and a lá poupeé. 18” x 24” 6. midnight sun. etching with aquatint, spit-bite and a lá poupeé. 18” x 24”
SCULPTURE
2019

44.0952687° / -121.6404628°
It seems silly, spreading soil atop the freshly cut surface of the log with our hands. In trail work, we are trained to make the tread of the trail look as natural as possible, and to make it appear as if the rocks had rolled to those spots on their own.

Cast iron of handmade abaca paper, wire, rust, rope, beeswax, sodium silicate bonded sand, potting soil, snowmelt: Minneapolis, salt: Bad Water Basin, Death Valley, Dimensions Variable, 2019



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And at times we paddled in a single file line, trying to avoid the boulders and forests of underwater kelp beneath us in the clear shallow waters.

Cast iron of handmade abaca paper, wire, rust, beeswax, snowmelt: Minneapolis, salt: Bad Water Basin, Death Valley, Approximately 18” x 36” x 12”



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64.6334026° / -19.295153° lumber and sunken rebar steps that lead to a foggy terrain of an earth toned blend of gravel and sand based soil, with ridges full of snow that has gathered and clung to the terrain, shifting bluish gray streaks of rocks that build up the rising peaks and pockets of bright green vegetation.

Screenprints, matte duralar, glass, treated lumber, rebar, brackets, sodium silicate bonded sand, and magnets, Dimensions Variable, 2019


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2018
cast iron handmade abaca and flax paper. 









Mark
INSTALLATION
2018
materials: etchings with spit-bite aquatint, thai mulberry paper, beeswax, rust, fishing line. dimensions variable.








anna.e.orbovich at gmail dot com / ︎@aeorbovichmpls, minnesota